The Los Angeles County Museum of Artwork (Lacma) began permitting guests inside its sprawling new constructing, the David Geffen Galleries, for previews late final week earlier than the ending touches are utilized, artwork is put in and it formally opens in April 2026. Round 2,000 museum members and visitors visited on Friday (27 June), winding via its serpentine however spacious concrete inside, casting silhouette shadows throughout polished flooring. For the event, the musician Kamasi Washington invited 100 jazz musicians, organised into ten completely different sections and clustered in corners all through the area, all taking part in one composition in what he known as a “sonic preview”.
The elevated, amoeboid concrete construction, designed by the Swiss, Pritzker Prize-winning architect Peter Zumthor, stretches over Wilshire Boulevard. Its important, second flooring options 110,000 sq. ft of gallery area, with at present open-plan walkways lined with floor-to-ceiling home windows, flooding the area with pure mild on all sides. At floor stage, the constructing will maintain a 300-seat theatre, training areas, eating places, a retailer and area for back-of-house capabilities.
The outside of the David Geffen Galleries at Lacma, seen from East West Financial institution Commons wanting southeast towards Wilshire Boulevard, with Tony Smith’s Smoke (1967) in foreground Photograph © Iwan Baan
On Friday (27 June), every ensemble performed the six-part jazz suite Concord of Distinction. With out artwork, the brand new constructing felt like a hole cave of poured-in-place concrete and glass. The cacophony of saxophones, voices and strings washed over the crowds of tourists, typically mixing harmoniously, different occasions clashing violently relying on one’s place within the museum.
Maybe probably the greatest views from the Geffen Galleries’ second flooring is of adjoining Japanese Pavilion, with its natural mid-century and Southeast Asian-influenced design. Designed by Bruce Goff (a disciple of Frank Lloyd Wright) and inaugurated in 1988, it was spared from demolition within the push to clear area for the brand new constructing. One other boon: Tony Smith’s huge sculpture Smoke (1967) was liberated from its longstanding placement within the Ahmanson Constructing atrium and has been positioned in a cement courtyard close to the foot of the brand new Geffen Galleries’ staircase. (Ultimately, a flowering Jeff Koons sculpture may even take root close to the brand new constructing.)
Lengthy and winding highway to lengthy and winding constructing

Aerial view of Lacma’s campus, together with the David Geffen Galleries, in context of Miracle Mile Photograph © Iwan Baan
The Geffen Galleries constructing embodies the priorities of its architect, Zumthor, and the museum’s director and chief government, Michael Govan: to redefine the museum expertise whereas additionally addressing sensible, monetary and curatorial issues. The constructing’s present price ticket is $720m, whereas Lacma has raised greater than $800m as a part of its wider “Constructing Lacma” capital marketing campaign.
The difficult, pandemic-lengthened course of to develop and rework Lacma’s campus has spanned virtually the complete twenty first century—an early design competitors was held in 2001. In that point two different buildings—the Broad Up to date Artwork Museum and the Resnick Pavilion, each designed by Renzo Piano Constructing Workshop—have opened, and public works by Chris Burden and Michael Heizer have been put in, in addition to facilities like a parking storage, restaurant and extra.

The David Geffen Galleries at Lacma; exhibition-level terrace and courtyard galleries Photograph © Iwan Baan
Even amid all of the campus upgrades, and the development of the Renzo Piano-designed Academy Museum of Movement Footage that opened next-door within the intervening years, few museum constructing initiatives have drawn as a lot scrutiny at each stage of planning and development because the Geffen Galleries. 4 buildings—the Leo S. Bing Middle and the Ahmanson, Hammer and Artwork of the Americas buildings—had been demolished to create space for the brand new constructing. Scrapping a lot of Lacma’s campus was necessitated, museum representatives stated, by pricey leaks and lack of earthquake-proofing. Nonetheless the demolitions earned the ire of preservation-minded followers of these buildings, spawning coalitions just like the Lacma Lovers League, Save Lacma and the Residents’ Brigade to Save Lacma. The latter group even launched a design competitors soliciting alternate options to Zumthor’s plan.
Whereas the brand new constructing’s second flooring, in its state as an unfinished, concrete shell, solely options round a dozen discrete areas, a museum truth sheet states it can in the end be divided into no less than 90 galleries. How precisely these areas can be organised is likely one of the questions that stay forward of the ultimate stage of development. Additionally it is unclear how the artwork hanging within the Geffen Galleries can be shielded from the chance of sunshine publicity through the constructing’s floor-to-ceiling home windows—a truth sheet supplied by the museum mentions “inside galleries sheltered fully from daylight”. I personally fear in regards to the toes and backs of so many museum guards who will apparently stand on exhausting concrete flooring for the lengths of their shifts. Such particulars and issues, and the way they’re in the end addressed when the finished Geffen Galleries open subsequent spring, will go a great distance in figuring out the constructing’s success.

The David Geffen Galleries at Lacma, view from exhibition stage northwest with Michael Heizer’s Levitated Mass (2012) in background Photograph © Iwan Baan
Previews of the David Geffen Galleries, for museum members and NexGenLA members, proceed till 7 July