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Art Toronto gives Latin American artists pride of place with new curated section – The Art Newspaper

October 22, 2025
in NFT
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Art Toronto gives Latin American artists pride of place with new curated section – The Art Newspaper
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Artwork Toronto, Canada’s largest artwork honest, returns to the Metro Toronto Conference Centre this week (23-26 October) with greater than 100 galleries taking part. Now in its twenty sixth version, the honest is launching Arte Sur, a brand new curated part targeted on Latin American artwork. The transfer comes amid the on-again, off-again commerce conflict that American president Donald Trump set off between Canada and the US, bringing uncertainty but in addition diversification, with the Canadian industrial sector signalling intent to construct new connections.

“We’re tapping into a global dialogue with nice intention, constructing an actual dialog between the continent’s artwork of the north and south,” Mia Nielsen, Artwork Toronto’s director, tells The Artwork Newspaper.

The Mexico Metropolis-based curator Karen Huber, founding father of the namesake gallery, is behind Arte Sur. She enlisted 11 galleries, together with Swivel from New York (representing Latin American artists) and Alejandra Topete from Mexico Metropolis to Subsuelo from El Rosario, Argentina, and Judas Galería from Valparaíso, Chile—all first-time contributors in Artwork Toronto.

Arte Sur took form early this yr in the course of the string of exhibition openings and gala’s round Zona Maco in Mexico Metropolis, the place Nielsen spent weeks because the tariff conflict intensified. Mexico—lengthy Canadians’ second‑most‑visited worldwide vacation spot—noticed arrivals from Canada surge 11.8 % within the first half of the yr, after Trump’s “51-state” rhetoric sparked a US boycott motion.

William Gaber, Dualidad II, 2024 Courtesy Alejandra Topete Gallery

Regardless of issues about over-tourism and gentrification, worldwide curiosity within the Mexico Metropolis artwork scene continues to rise. “Since 2023, Canadians have more and more visited Mexico Metropolis’s Artwork Week,” says Huber, who’s a member of Zona Maco’s choice committee. The Mexico Metropolis gallerist and Arte Sur participant Alejandra Topeteconcurs: “Canadians more and more go to my gallery and love the artworks.”

Canadian museum teams, together with these from the Artwork Gallery of Ontario (AGO) and the Nationwide Gallery of Canada in Ottawa, have additionally visited Zona Maco. The honest, together with others staged the identical week like Materials and Salón Acme, has a agency Latin American focus.

This dynamic considerably challenges Canadian collectors’ repute for less than shopping for regionally, particularly amid rising nationalist sentiment fuelled by Trump’s threats. “Many collectors are rightly targeted on the extraordinary artwork produced by a small inhabitants throughout an enormous panorama,” Nielsen says. “Nevertheless, Canadians are additionally world residents with an innate curiosity. There’s numerous curiosity in what goes on in different places.” She provides that Latin American galleries have been warmly obtained in earlier editions.

Resonances with Canadian audiences

Guests on the 2024 version of Artwork Toronto Courtesy Artwork Toronto

Huber is assured that Arte Sur’s lineup—with greater than 30 artists primarily from Mexico, Costa Rica, Argentina, Chile and Peru—will resonate with Canadian audiences. “Sturdy connections between arts and crafts and wonderful artwork, together with ceramics and textiles, are current, whereas additionally revealing how id, panorama, territory and social themes intersect,” she says.

The featured Mexican artist Adela Goldbard, for example, collaborates with Oaxacan artisans to create textile works addressing social points (exhibiting with Proxyco), whereas the Chilean artist Paloma Castillo’s meticulous embroideries weave collectively irony, humour and dissent (exhibiting with Isabel Croxatto). The part may even characteristic works by the Mexican artist William Gaber (exhibiting with Alejandra Topete), representing the nation’s robust custom of abstraction.

Natalia Montoya, Tótem de emergencia n°4, 2021 Courtesy: Judas Galería

This yr, greater than half of Artwork Toronto’s taking part galleries will present works by Indigenous artists, the honest’s most substantial illustration but. Arte Sur may even embrace works by artists of Indigenous origin. Amongst them are Sheroanawe Hakihiiwe, a Yanomami artist from Sheroana, a Venezuelan Amazonian group (exhibiting with Proxyco), and Natalia Montoya, an Aymara artist from the Andes (exhibiting with Judas).

“Will probably be attention-grabbing to see how Indigenous artists coming from the Amazon, Canada and Australia dialogue,” Nielsen says, including that the vary of shows may even illuminate “what it means to be an Indigenous artist in the present day”.

Alternatives and challenges

The Arte Sur part will characteristic just a few contributors who could also be acquainted to Canadian audiences. The New York-based gallery Proxyco and Lima-based Disaster Galería, for example, work with artists who’ve participated in Canadian exhibitions, like Hakihiiwe (featured in a 2022 present on the Energy Plant), and others in final yr’s Toronto Biennial of Artwork. The late Costa Rican artist Gerardo Ramírez (1948-2024) lived in Canada; the gallery deCerca from San José, Costa Rica, will present his work at Artwork Toronto. However for a lot of the artists featured in Arte Sur, the honest might be their first publicity to the Canadian scene.

“We’re fostering new markets that enrich us culturally,” Nielsen says. Huber provides that different gala’s may benefit from replicating Artwork Toronto’s mannequin: “A selected Latin American part is a robust assertion.”

Sheroanawe Hakihiiwe, Mi oni (Pinta de cara), 2021 Courtesy Proxyco Gallery, Abra / María Teresa Hamon

Creating new markets is especially essential at a time when the worldwide artwork commerce is backsliding and whiplash modifications to US insurance policies and tariffs create uncertainty. This has immediately impacted the honest’s dynamics. “When tariffs first took impact, just a few US galleries withdrew—some later returned, whereas newcomers from Germany and Australia joined,” Nielsen says.

Regardless of the shifting panorama, some stay assured because the Canadian artwork market heads into its busiest interval of the yr, with Artwork Toronto this week and Heffel’s marquee autumn auctions subsequent month.

“One in all Canada’s market strengths is its long-standing lack of dependence on the US, in contrast to different sectors,” says Marla Wasser, a Toronto-based artwork adviser and government member of the Affiliation of Skilled Artwork Advisors. “Establishments and native collectors are very energetic, with a robust community of galleries, all supporting Artwork Toronto.” This dynamic is mirrored within the honest’s different new part this yr, Generations, which goals to supply an intergenerational portrait of Canadian artwork and is curated by Nielsen.

“Now greater than ever, we have to unite via tradition, creating real encounters,” Huber says.

Artwork Toronto, 23-26 October, Metro Toronto Conference Centre



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