On 20 July, Mexico Metropolis’s second anti-gentrification protest prompted harm to Museo Universitario Arte Contemporáneo (Muac) and the close by Julio Torri bookstore. Damaged glass, graffiti and burnt books have been casualties of a rising motion demanding housing entry and hire regulation.
The motion, occasionally marked by anti-foreign sentiment (primarily anti-US), noticed three protests in only one month. Nevertheless, vandalism—probably attributable to the infiltration of disruptive teams often known as black bloc—has shifted focus away from reputable housing calls for in Mexico’s most costly metropolis.
Gentrification
Gentrification in Mexico Metropolis shouldn’t be new, nevertheless it has accelerated because the Covid-19 pandemic, principally in La Condesa and Roma—neighbourhoods in style with People and Europeans—the place rents have surged by 80% since 2020. Rising costs have additionally reached areas like Xoco, Tabacalera and Santa María la Ribera.
“Lack of reasonably priced new housing, city planning points, touristification by platforms like Airbnb and digital nomads are key drivers,” Arturo Aispuro, an city planning skilled, tells The Artwork Newspaper. The broader subject, tangentially associated to the native artwork scene and overseas artists and galleries settling in, is much extra advanced.
“Gentrification shouldn’t be concerned in each city shift,” says Lorena Umaña, an city sociologist at México’s Nationwide Autonomous College (Unam). She emphasises that neighbourhood-specific elements are at play right here. Addressing the disaster, consultants say, requires evaluation and regulation.
“Gentrification shouldn’t be inevitable,” Aispuro says. “It outcomes from coverage and financial decisions and will be regulated by balancing funding, housing and cultural preservation.”
Though metropolis authorities have proposed mitigating measures, Umaña considers them inadequate. “They need to contain a multidisciplinary participatory method,” she says, “like these of Berlin or Barcelona, the place insurance policies have yielded outcomes.”
Preliminary repairs to Muac’s façade Picture: Barry Domínguez
Protests and vandalism
The 20 July protest adopted an earlier demonstration in La Condesa and Roma that prompted harm to companies and confrontations, condemned by authorities because of its xenophobic rhetoric. It was joined by anti-gentrification teams and Tlalpan residents opposing a brand new improvement close to Fuentes Brotantes pure reserve, in addition to others mad about tasks associated to the upcoming 2026 Fifa World Cup.
At one level, metropolis police blocked the march’s deliberate route. Dozens of alleged black bloc members diverted to Unam’s College Cultural Centre, residence to live performance halls and theatres. The redirection might have been tied to Unam’s autonomous standing: metropolis police aren’t allowed inside with out invitation, and the campus has its personal safety. Summer time break, when the museum was closed, might have additionally contributed to the choice.
Protesters broke into the library, shattered components of Muac’s glass façade and spray-painted slogans on the façade, esplanade and a public sculpture: “Muac welcomes gringos”, “Gringo go residence”, “Mexico for Mexicans” and “Free Palestine”, amongst others.
The incident sparked outrage from the artwork neighborhood, together with the artist Magali Lara, who has an exhibition presently on view at Muac. “We condemn these acts and demand readability on their origins, as related actions in previous peaceable protests recommend unpunished infiltration by violent teams,” reads an announcement signed by greater than 150 cultural figures. Aispuro and Umaña additionally contend that vandalism undermines the trigger’s legitimate considerations.
This isn’t the primary time Muac, one in every of Mexico’s main artwork establishments, has been focused. In October 2024, protesters towards the Argentine artist Ana Gallardo’s exhibition there spray-painted the constructing’s façade, prompting a museum apology and dialogue.
However this time is completely different. “The assault was circumstantial, but they didn’t cease when reaching a cultural establishment unrelated to their calls for,” says Tatiana Cuevas Guevara, Muac’s director. “What shocked us most was that, regardless of Muac’s lengthy historical past of critically engaged programming and political dialogue, it was attacked, ignoring our core mission.” She notes that each the museum and Unam have beforehand addressed gentrification and different urgent native points.
Muac reopened on 30 July, asserting enhanced neighborhood outreach: free admission for Unam college students, prolonged hours and open-access on Thursday evenings. “We consider what we do is essential,” Cuevas says. “Dialogue is important.”
The fourth anti-gentrification protest is ready for tomorrow (9 August) at Unam’s rectory. It is described by organisers as “the primary anti-gentrification and dispossession symposium”. Hopefully, dialogue will prevail.
