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Stockholm’s Market Art Fair wants to prove the ‘periphery is now essential’ – The Art Newspaper

April 26, 2026
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Stockholm’s Market Art Fair wants to prove the ‘periphery is now essential’ – The Art Newspaper
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Stockholm, the Sleeping Great thing about European capitals, awakens from its slumber this week. The twentieth version of the Market Artwork Truthful for Fashionable and up to date artwork opens in a brand new waterfront venue within the Frihamnen docks space of the Swedish capital (till 26 April).

This 12 months 54 sellers, principally from the Nordics, are taking part alongside a handful of worldwide galleries from america and the UK comparable to London-based Anthony Wilkinson gallery and albertz benda of New York.

Crucially, the honest expanded its attain final 12 months by opening functions to galleries with out current Nordic ties, says a good assertion. Requested concerning the honest’s aspirations—does it wish to be the principle Nordic regional honest?—Sara Berner Bengtsson, the honest director and chief govt, says: “It’s the periphery that now feels important. Regional festivals usually are not second-tier—they are often high-quality, targeted, and business-like. We’ll by no means be as massive as Frieze however I feel, as this 12 months’s version proves, worldwide galleries can present artists right here whom they’d in any other case current at these bigger festivals. They need to really feel ready to do this in Stockholm.

“So market-wise and quality-wise with galleries, we wish to be at that degree as a result of we now have the collectors, the curiosity, and the establishments. I feel what additionally attracts galleries right here is our social scene and sense of group… Market Artwork Truthful now seems like a world honest, however Stockholm-sized. Or, as one of many artists put it: it seems like an enormous honest however cosy. We take this as an enormous praise. I feel 54 galleries is a very good measurement, however the golden quantity could be round 70.”

Some sellers raised qualms concerning the new honest location—the commerce centre Magasin 9—significantly its accessibility. However the established Swedish gallerist Magnus Karlsson vouches for Market as a business and tutorial anchor. “One [of our aims] is to help the Swedish artwork scene; I feel it is an essential assembly level for colleagues, artists, lecturers and museums so it creates a hub, which is important,” he says, including that there is at all times “a brand new crowd that comes [to the fair], creating a place to begin for any individual who individuals who have a contemporary curiosity in artwork”.

Karlsson’s gallery is exhibiting works by the Finnish artist Petra Lindholm who has created a sequence of “textile work” priced between SEK 28,000 (+VAT) and SEK 170,000. A lot of the works have bought with two works changed on the stand at this time (24 April).

Sellers agree that the honest is a necessary platform for bringing their artists to the eye of Scandinavian audiences. Galleri Haaken of Oslo is inflicting a stir on the honest with its presentation of dystopian large-scale Brueghel-esque works by Munan Øvrelid together with Echoes of the Goat (2026, SEK 400,000). “The honest is getting higher,” mentioned gallery director Fredrik Nergaard. “You will need to introduce our artists to collectors from the area.” The gallery can be exhibiting a sequence of canvases by Astrid Nondal, priced at SEK80,000 every (costs are acknowledged on labels—”it’s good to be clear”, provides Nergaard).

One other speaking level is a sequence of recent works by the high-profile Icelandic-Danish artist Ólafur Elíasson introduced by i8 gallery of Iceland. This group (The reverse facet of actuality, with a darkish ring) consists of work and sculptures that “proceed the artist’s longtime investigation of sunshine, color, notion, and optical phenomena,” says a gallery assertion.

Works accessible embody a sculpture entitled The uncommon metallic plant (2026) which is constructed from stackable, space-filling modules and impressed by the pure techniques behind the expansion of crystals (€195,000). A sequence of eight work made utilizing a single pad of watercolour paper and alcohol inks (The transformative house simply prior to now, 2026) is priced at €125,000. Börkur Arnarson, the gallery proprietor, mentioned that by the tip of the VIP preview (23 April), he had “positioned 5 works” by Eliasson.

Galleri Helle Knudsen of Stockholm mentioned in the meantime that all the cartoon-esque sculptures by Moa Holm Niklasson had bought, together with Synvinkel (2025-26, €1,500), together with a number of works by the painter Karin Wikström. “We don’t set costs too excessive for our rising artists; we would like them to have a worth journey,” mentioned the gallery’s Sara Röder.

So might Stockholm, fuelled by cornerstone occasions comparable to Market, actually change into a regional artwork powerhouse? A lot has been made about Sweden’s “silicon valley” standing; the nation is residence to firms comparable to Klarna, iZettle and Spotify whereas Joel Hellermark, the founding father of the AI platform Sana Labs, is a eager artwork buff, having contributed to the Stockholm Design Lab monograph.

“I undoubtedly assume there may be new wealth being created right here in Sweden. If they may allocate somewhat [of their wealth] for artwork, then it’s actually going to change into fascinating and be actually good for the galleries,” provides director Berner Bengtsson. There additionally seems to be a swell of rising galleries—20% of taking part galleries have been established inside simply the final 5 years, provides the honest assertion. The worldwide artwork market has in the meantime slowed down prior to now three years. “However I feel Sweden has been surprisingly regular [market wise],” provides seller Magnus Karlsson.

Three To See throughout Stockholm Artwork Week

Three Sisters: Three Practices, Eva Livijn Artwork Area (till 26 June)

The gallerist and collector Eva Livijn’s residence has been reworked right into a showcase for artwork by three Swedish sisters—Emma, Johanna and Sofia Bjurström— who “carry their practices collectively below one roof”. The siblings draw on a captivating household archive; Sofia builds monuments from picket blocks emblazoned with photographs of her grandmother whereas Emma’s semi-abstract work are impressed by a sequence of archival letters.

Household-For Higher or Worse, Sven-Harrys Konstmuseum (till 13 September)

The taboo subject of households, and the way fraught and tough they are often at occasions, is tackled on this in depth exhibition that includes works by artists comparable to Lena Cronqvist, Marianne Lindberg De Geer and Maria Miesenberger. Stand-out items, together with a weird sculptural depiction of the insanity of motherhood by the Swedish sculptor Cajsa von Zeipek (Lined in Me, 2023), throw gentle on the nurturing unit that shapes us all.

Ingela Ihrman, Nocturnal Video games, Bonniers Konsthall (till 14 June)

A large otter giving start and a flying privet hawk moth are among the many sculptural characters within the great world created by Swedish artist Ingela Ihrman. “Beneath a moon that resembles a cheese, in a time that balances on the sting between technological hubris and apocalyptic despair, Ihrman formulates a longing to enterprise into the darkish corners and emotions that lie there,” writes the exhibition curator Caroline Malmström.

Ingela Ihrman, Nattens lekar (2026)

credit score: Bonniers Konsthall/Weronika Bela



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Tags: ArtEssentialfairmarketNewspaperperipheryProveStockholms
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